Over the past several years it has been my pleasure to hire and work with many talented logo designers from around the world. After reviewing hundreds of design portfolios and critiquing thousands of logo designs, I’ve come to respect the amount of thought, creativity, and artistic talent it takes to execute a well-designed logo. To represent a company or idea in a single graphical symbol is no small undertaking!
If you are a company looking to improve your logo, or a designer looking to improve your portfolio, consider the following key attributes found in great logo designs:
• Simple and clean. “Less is more” is definitely a good rule of thumb when it comes to logo design. Logos with many colors, gradients, shadows, effects, or illustrative clutter and detail generally scream “unprofessional,” “indecisive” and “trendy.”
Remember that a great logo design will withstand the test of time if it is visually simple without sacrificing creativity. “Simple” is the operative word here: avoid logos that are “plain,” without creativity, or that lack unique visual merit.
Interestingly enough, the more simple logos out there tend to do better when it comes to branding and sales. Why? Because the logo points to the brand and company it represents rather than distracting from it. The logo is complementary. It enhances. It communicates and symbolizes clearly as opposed to comprehensively.
• Creative, unique, and memorable. As mentioned, a great logo design will be simplistically beautiful, but not plain. The “simple” refers to the artistic style and execution of the logo; the “plain” is what you want to avoid when it comes to the creative idea behind the design. No matter what kind of emotion you are trying to convey in your logo design, it’s important that the design itself reflects custom work and creative thought.
Another good descriptive word that fits this category is “conceptual.” If the logo symbolizes some kind of creative concept, or perhaps merges multiple ideas into one symbolic meaning, then the logo carries a greater depth of brand equity. It becomes more unique to that company, more memorable, and therefore more marketable. But remember, a well-designed logo can only enhance your overall marketing plan; it doesn’t necessarily replace it.
• Great typography. Otherwise awesome logo designs that fail to use great typography are nothing more than missed opportunities. If you’re looking for a logo designer, you should find one that takes pride in the details, and typography is all about the details. Picking a font style that matches the logo icon style, balancing the typography with the icon, customizing the type, adjusting the kerning (spacing) between letters, manipulating the way the letterforms play off each other, etc., etc… It’s a lot to think about when defining it, and certainly takes more work and effort than simply typing the company name out and calling it good.
• Functional use. No matter how awesome the logo design is, it’s important that the logo is functional, versatile, and practical for the business it represents. Can the logo be reproduced in a one-color version? Will it embroider and fax well? Will it appear clear when printed small on a business card? Does it function for the market niche and does it properly represent the business?
Logo design samples
Now that we’ve identified some aspects of great logo design, let’s look at some logos! Rather than showing off logos we are all familiar with, I thought I’d show off some of the logo designs from the designers I have worked with over the past several years. See if you can identify some of the important logo design attributes that were described earlier.
Le Pecheur
The words that first come to mind when I look at this logo are “custom,” “creativity,” and “execution.” The designer managed to go the extra mile by taking the company name and creating a custom logotype by forming a fish with the letterforms. Definitely not clipart! It’s also evident that the designer took the necessary time to properly execute his great idea. It’s hard to find a tangent or a misplaced stroke anywhere. So, how do you identify a great logo? It uses a unique custom design, it reflects a creative or conceptual idea, and it is executed with the proper artistic techniques and typography.
Buzz Cart
Matching the typography (text) with the icon is a mark of a great logo, which is done here. For many designers, the tendency is to devote 90% of the time towards designing the icon, and then quickly look for a font to finish it off. Want to improve your logo design? Spend more time on your typography by matching the font style with the icon style. I also like how this logo is simple and straightforward. Many designers mistake “plain” as being “simple.” A simple logo is good if its simplicity still reflects creativity and branding.
Elephant Ant Media
Which do you see first? An elephant? Ants? Logos that require a second read show great conceptual thinking and creativity. When a design has layered ideas, it has a greater affect on the viewer because of the “Ah ha!” moment. Creative logos will often do this to a certain degree: they take two elements or ideas and meld them into one well-executed concept. The only thing I would change on this logo is eliminating the “LLC.” Legally, adding “LLC” or “Inc.” to a design is only required in company documentation, and should not be a part of the logo if at all possible.

Arcadia Mailbox
The genius behind this design is in the combining of two ordinary concepts into one creative and cool logo! At first glance you don’t see the envelope on the horse’s saddle, but a second read reveals that there’s much more to this design than meets the eye. The logo also has great balance and poise, and as one color looks very professional and classy.

Sleepy Eyes Filmworks
Design that provokes and/or displays human emotion in an authentic, believable way can be difficult to do…but this designer pulled it off! This logo was popular among many of our designer and non-designer employees alike because it makes such a unique connection with the viewer. Looking at the two upside-down letter e’s in this design makes us feel like we’re really looking to the eyes of an insomniac. The illustration of the eyes is not overdone, it’s just the perfect amount of detail to make the logo believable and not cluttered or confusing. This logo also is evidence that typography matters in design! Picking the right font or designing custom type in a logo not only adds credibility to the design, but makes it more creative and unique.
About the Author
Luke Baker is the Director of Design for ARTEIS (a Hewlett-Packard Company), which is a by-invitation-only community of roughly 100 designers that reside in countries all around the world. He also works as a senior graphic designer for HP, having joined the company in February 2005.
With degrees in graphic design and business management from Brigham Young University, Luke has been designing professionally for seven years, and also runs his own graphic design studio called Lucas Marc Design. His work has been featured in LogoLounge as well as GDUSA publications. He currently resides in American Fork, UT with his wife Lynnece and five newly-planted flowering pears which he hopes survive the winter.